Think with Your Chest?
Yesterday my YouTube feed recommended a newly released music video by a band I’d never heard of, Gable Price and Friends. The song is titled “Think With Your Chest.” If the song had been titled “Think With Your Heart” I wouldn’t have given it a second glance, dismissing it as another variation on the wrong-headed (ha!) “follow your heart” cliché. But the use of the word “chest” intrigued me. Being me, I naturally wondered: Could the song be a response to The Abolition of Man by C. S. Lewis and its critique of a modern education system producing “men without chests”?
Alas, I don’t think Gable Price and Friends have read The Abolition of Man. If they had, and had been convinced by it, their song wouldn’t have so simplistically opposed the Chest to the Head, as if only one can win and the other must lose. Lewis argues the Head and the Chest must work together. To be sure, he believes the Head should lead, but he also says the Head will be ineffective or go astray without the Chest. And I think the reason that the song is stuck in this zero-sum binary is that it doesn’t consider an idea that has been around for two millennia: the tripartite soul.
In Lewis’s understanding of the human person, which he gets from Plato, there are not two but three parties jostling for control: the Head, the Chest, and the Belly. According to Plato, it’s this third, appetitive part of the soul that craves pleasure, and especially money to secure its pleasures. It’s to regulate the desires of the Belly that the Head and the Chest must work together.
In the song, the Head is associated with “surviving,” “the calculated outcome,” “the status quo,” and “thinking with me income.” Lewis and Plato would say that’s the Belly talking, not the Head. People who think with the Head are seeking to discern and live according to transcendent ideals. Contrary to what the song says, people who are living to make enough money to just get by and maintain their comforts might be using their brains—it takes some strategy to climb the corporate ladder or develop a strong portfolio—but ultimately they’re using their brains to serve their stomachs. The struggle described in the song is not really between the people who think with the Chest and those who think with the Head, but between the people who think with the Chest and Head and those who think with the Belly—and think with the Belly because they haven’t strengthened and harmonized the other two parts of the soul which should be in control.
The song is right that repressing the Chest in the name of a cold rationality is making people “depressed.” But ignoring the Head to follow the Chest is no solution. The song anticipates the objection that “the heart can be misleading,” and even validates that concern: “I can admit [my heart has] made some mistakes.” While I agree “I’d rather live with [the heart] than die so comfortably”—I’m reminded of what Lewis says elsewhere, in The Four Loves, about the necessary risks of loving others—how can a person think with the heart without falling into grave error? The song doesn’t offer a way out of that conundrum.
Yes, we shouldn’t live for comfort, or as if we were computers or disembodied and soulless brains. But instead of living by the whims of unregulated emotions, which is just another way of thinking with the Belly, we need what Lewis calls the “trained emotions” and “stable sentiments” of the Chest. And training and stabilizing our feelings so that they accord with reality is only possible through exercising reason to discern reality.
P.S.: It’s ironic that, in the first few seconds of the music video, you can see a bust of young Anakin Skywalker, in his podracing helmet, sitting on the dashboard of a car. As Timothy Lawrence has convinced me, Star Wars is all about resolving the tension between reason and emotion by rightly ordering the tripartite soul.